Arretium (Arezzo), Edlund-Berry & Zaccagnino . . . . . . 63 Arrival, Roche . . . . . . . . . . . . . . . . . .59 ¡Ay Tú!, Saldívar-Hull & Gano . . . . . . . . 10–11 Band People, Nicolay . . . . . . . . . . . . . . . 16–17 Bill Hobby, Carleton & Purdy . . . . . . . . . . 72–73 Books Are Made Out of Books, Crews . . . . . . . . . . . . . . . . 18–19 Bordering on War, Ahmadi . . . . . . . . . . . . . . . . 64 Brazil’s Sex Wars, Sosa . . . . . . . . . . . . . . . . . . 38 The Burning Plain, Rulfo & Weatherford . . . . . . . . . . 4–5 Child Martyrs and Militant Evangelization in New Spain, Schmidt . . . . . . . . . . . . . . . . 44 City of Wood, Buckley . . . . . . . . . . . . . . . . .28 Constructing Cuban America, Gomez . . . . . . . . . . . . . . . . . .31 The Earth That Modernism Built, Cupers . . . . . . . . . . . . . . . . . 29 Finding Caspicara, Webster . . . . . . . . . . . . . . . . 45 For Dear Life, Dawsey & Casso . . . . . . . . . . . . 34 For the Bees, Chapman . . . . . . . . . . . . . . 14–15 Handbook of Latin American Studies, Vol. 77, McCann . . . . . . . . . . . . . . . . 49 I Am My Own Path, Pérez-Rosario . . . . . . . . . . . . . 6–7 Ida Lupino, Forgotten Auteur, Seros . . . . . . . . . . . . . . . . . . 54 The Interior, Freitas & Blanc . . . . . . . . . . . . 39 It’s All in the Delivery, Sturtevant . . . . . . . . . . . . . . . .55 Maya Christian Murals of Early Modern Yucatán, Solari & Williams . . . . . . . . . .46–47 The Modern Israeli and Palestinian Diasporas, Karlinsky . . . . . . . . . . . . . . . 66 Prohibition in Turkey, Evered . . . . . . . . . . . . . . . . . .67 Redrawing the Western, Grady . . . . . . . . . . . . . . . . . 56 Rehab on the Range, Karibo . . . . . . . . . . . . . . . . . 33 Revolting Indolence, Gonsalez . . . . . . . . . . . . . . . . .35 The São Paulo Neo-Avant-Garde, Binnie . . . . . . . . . . . . . . . .36–37 Sarah Oppenheimer, Bober . . . . . . . . . . . . . . . . 74–75 Searching for Feminist Superheroes, Langsdale . . . . . . . . . . . . . . . .57 Seviyye Talip, Adivar & Vanwesenbeeck . . . . . . . . 68 ¡Somos Tejanas!, Marín & Cantú . . . . . . . . . . . . 8–9 Sports through the Lens, Nathan, Smith & Fields . . . . . . . . 12–13 The Taste of Nostalgia, Cox Hall . . . . . . . . . . . . . . . . 43 Texian Exodus, Hardin . . . . . . . . . . . . . . . 20–21 Through Her Lens, Walker . . . . . . . . . . . . . . . . 76–77 Thunderbird Book Three, Nimr & Qualey . . . . . . . . . . . . . 69 Undoing Modernity, Rhodes . . . . . . . . . . . . . . . . . .41 | Index by Title | Copyright © 2024 by the University of Texas Press. All rights reserved. front cov er im age: From Sarah Oppenheimer back cov er im age: From The São Paulo Neo-Avant-Garde: Rafael França, Untitled, c. 1979, detail. Museu de Arte Contemporânea da USP Collection, São Paulo, Brazil. Courtesy of Hugo França. Photograph by Renato Parada.
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